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In Shakespeare or Greek dramas the text is so charged that when you tell a horrible story, your psyche creates images that then become feelings that affect the body.

It means that you are constantly busy. Well, the important thing for me is to get the opportunity to work with interesting directors. Michael Marcimain and I have worked together for seven years now.

He gave me my first part in a movie, before I had done any work in Sweden. I have that approach when it comes to theater as well. There you want to tell a story and share a text, and that text is about the whole project, not only your character.

You were in the political thriller Call Girl, a film that created quite a stir in Sweden since it portrays a Dominique Strauss Kahn-esque prostitution ring in the end of the s.

You play a Mata Hari-like figure who mixes with both sides during the cold war. What was that role like? It makes me think of what John Cassavetes said, he liked characters that are like sleepwalkers but then get a wakeup call.

The purpose of art, I think, is to inspire freedom, to question norms and conventions, and ultimately, on a societal level to allow for the strengthening of democracy.

In Scenes from a Marriage the preparation work was mainly to sit down and discuss the texts. We used the text that Ingmar wrote, from the TV series, six times 1 hour, and edited it down to two and a half hours, so that was a big part of the work.

We were touched that people seemed so moved by it. Everyone has experienced either leaving someone or being the one left behind, or parents separating.

A lot of people in the audience were crying and came and talked to us afterwards. Here there is a tradition that the audience comes and speaks to the actors after the play.

They explained to me that in Sweden it is considered a bit pretentious to show your face afterwards, it could be interpreted as the actors fishing for complements.

This type of interaction between the audience and the actors I think is particularly important today when you can just turn on your computer or TV; the privilege of going to the theater is that you can actually speak to the people who have been part of the project.

Photography by Magnus Magnusson. But Paris is what you call home? I bring my shoes for supervision and repair regularly and even ask him for advice before purchasing a new pair.

I also have been wearing the same style pants for more then fifteen years. A pattern from the late thirties that my tailor does in different garments every year.

The more one feels fulfilled the less one urges to fill the emptiness with bulimic consumption. I like beauty products to be as natural and have as few ingredients as possible.

That is, I like to eat as organic and natural as possible and have a mainly plant based diet. So the same goes for the outside. Facebook — Twitter — Pinterest.

Chanel — Interviews — Second Hand — Style. Style — 2 October, Discover some perfect in-between season classics through the lens of photographer Jessica Sidenros.

Style — 4 September, GANT continues its journey towards sustainability with a capsule collection of patchwork shirts made of leftover fabrics. Style — 1 September, At Filippa K Studio, pre-loved garments and claims from other Filippa K stores get new life, in different ways.

We enter their world to learn more. Style — 19 August, Vagabond Shoemakers introduces the Indicator Re-born, a shoe made of post-consumer recycled Vagabond outsoles.

Photos by Louise Enhörning How would you describe your style? Can you see any differences in the expression of fashion in Paris and Sweden?

What is sustainability for you? How do you reason when you shop for clothes or beauty products? Share this post Facebook — Twitter — Pinterest.

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